There is no creature more revered in American politics than the moderate voter. Unlike the ideologues and partisans destroying politics, the moderate is free of cant and independent of party. She yearns for politicians who get along, who govern reasonably and incrementally, who steer a course between the extremes of the left and the right. …The only problem is moderates are largely a statistical myth — and efforts to empower them may, accidentally, lead to the rise of more extreme candidates.
From Moderate Voters are a Myth
What happens, explains David Broockman, a political scientist at UC Berkeley, is that surveys mistake people with diverse political opinions for people with moderate political opinions.
By leaving Miami to go back home to Cleveland, LeBron, who is worth far more to the N.B.A. than any owner, has taken back a fraction of the power he and other players have earned and continued the trend that he, Chris Bosh, and Dwyane Wade started whereby players, still working within a restrictive and draconian labor system, can scratch out a small measure of autonomy. In professional sports, the players are the business. The league is stronger when it remembers that.
How could anybody see Haim as anything other than completely new and exciting? To my ears they are totally brand new and alien. It’s like they took Amber Coffman from Dirty Projectors, with all her instrumental and vocal talents, cloned her twice and signed the results to a major label. The most notable thing I’ve noticed about Haim is this unique melodic thing. Their voices loooooove the 4th note (‘fa’) of the scale. They love to hit it, hold it and suspend it way longer than anyone else. The movement from the 4th note of the scale to the 3rd note — often deployed as a 4-3 suspension, Google for more — it’s full-fat, full-sugar. The richest dessert in tonal harmony. Stick with me through a couple of examples. The words that fall on the 4th-note are capitalized. ‘Falling’: “Don’t stop NO I’LL NEVER GIVE UP / AND I’LL NEVER LOOK BACK/ JUST hold your head up.” ‘The Wire’: ‘but I fumBLED IT / WHEN IT came down to the wire.’ Both songs have no 4s in their melodies until these coups de grâçe. They’d hit those 4-3 suspensions and my soul would soar, then a second later my heart would sink with the realization that these girls are better songwriters than I am ;_;